Johann Jakob de Lose (1755 - 1813), German painter, working in Frankfurt/Main.  Related Paintings of Johann Jakob de Lose :. | Horses Being Watered | The Gardener | Cherry Blossoms | Joseph Levi (mk39) | Bull |
Related Artists:
jose Madrazo Y Agudo
Spanish Neoclassical Painter, 1781-1859 was a Spanish painter of the Neoclassic period. Born in Santander. Studied in Madrid with Cosme de Acuna and Gregorio Ferro, both rectors of the Academia de San Fernando at the beginning of the 19th century. Don Fernando La Serna, who was named ambassador to France at the time, brought Madrazo to Paris, where he entered the studio of Jacques-Louis David. There, under royal patronage from King Carlos IV, he executed a painting of the Death of Lucretia and other canvases on events from classic Greco-Roman history. He moved to Rome during Napoleonic times, where he was briefly jailed for failing to complete oaths of loyalty to the newly installed Napoleon II of France as King of Rome. In Rome, he was admitted to the Accademia di San Luca. King Carlos IV named him pintor de camara (painter of the chamber), a position confirmed by King Ferdinand VII.
Hieronimo Custodis
(also spelled Hieronymus, Heironimos) (died c. 1593) was a Flemish portrait painter active in England in the reign of Elizabeth I. A native of Antwerp, Custodis was one of many Flemish artists of the Tudor court who had fled to England to avoid the persecution of Protestants in the Spanish Netherlands.He is thought to have arrived in England sometime after the fall of Antwerp to the forces of the Duke of Parma in 1585. Three English portraits by Custodis signed and dated 1589 firmly establish him as resident in London by that year. Sir Roy Strong attributes a portrait of Sir Henry Bromley dated 1587 to Custodis, suggesting an earlier arrival, and has verified the recent attribution of a portrait of the young Edward Talbot dated 1586 to Custodis.In 1591, he was living in the parish of St Bodolph-without-Aldgate where "Jacobus the son of Ieronyme Custodis A Paynter" was baptised on 2 March. He is assumed to have died in 1593, as all of his known works are dated between 1589 and 1593, and his widow remarried that year. Custodis's unsigned but dated works are idenitified by "palaeographical peculiarities" in the inscriptions which can be closely matched to those in his signed portraits.
Jacob Ferdinand Voet
(c. 1639 - c. 1689/1700) was a Flemish Baroque portrait painter. According to the Netherlands Institute for Art History (RKD) he was born at Antwerp as the son of the painter Elias Voet.[1] He travelled to Rome in 1679-1680, Milan in 1680, Florence in 1681, Turin in 1682-1684, and returned to Antwerp in 1684. While in Rome he lived with the painter-engraver Cornelis Bloemaert until he was banned for his portraits of women portrayed with unseemly decollet, whereupon they left Rome together. He undertook a journey to Paris in 1686 where he became court painter until he died there.He is registered as a painter of miniature portraits. According to Houbraken, he made his return journey to Antwerp from Turin in the company of Jan van Bunnik, who he had already met in Rome in the company of Cornelis Bloemaert. From Turin they set out for Lyons, where they met Adriaen van der Cabel, Peter van Bloemen, and Gillis Wenix. They set off for Paris in the company of a third painter who was a good painter of "bataljes" or battle scenes. Houbraken reports that this was Jacob, Jan van Bunnik's brother, but had not mentioned him earlier in his Jan van Bunnik biography. The RKD makes no mention of a Jacob van Bunnik.